Perreo House is getting massive support in the underground, and it will be just a matter of time that we see a complete shift in the urban latino scene going full house related and 808 related perreo with all the intended sub-genres flirting with the infectious vibe.
We are very glad to bring back one of the most prominent Techno-Perreo producers in the Ecuadorian scene to the Latino Resiste fam.
Benaje, whose bass tracks we have been honored to have couple of times keeps killing it, and this time he joins Caballo to drop another vibe that is getting massive exploration in the afro-caribbean scenes, which is the Afro-Bass.
Latino Resiste is extremely happy to finally have a whole EP from one of the OG’s in the game.
Back in the day he created a new genre called Junglaton (Drum and Bass fused with Moombahton) alongside Jon Kwest. However, El Nomada kept evolving the game and actually has gone really deep into the game and making great statements in what Latin Drum & Bass is.
Born and raised in Ponce, Puerto Rico EL Nomada sound is a blend of upbeat UK Drum and Bass style percussion, with Latin Reggaeton, and deep dark eclectic Synths and Bass sounds.
At the time he was dubbed “The King of Drumstep” by UK’s Dj UMB from GenerationBass.
El Nomada is also a pioneer of the moombahton movement in Kansas City, and founder of the Kayceeton guild of Kansas City moombahton producers and overall a real OG.
His latest EP called Sabor a Machete is a brutal statement of what Latin Drum & Bass is.
Chilean artist DROM3 has been killing it lately, and we are extremely honored to drop this EP in collaboration with our brothers at Triangulo LVS BERMVDAS who have some serious flames in Santiago de Chile’s underground bass scene.
Perreke is not just a Urban Latino Fire… It is the sound of “la calle”!!! We dont drop perreo… we drop PERREKE!!!
We are ready to unveil Mal Dicen’s newest EP called HIGHER
A bit of Afrobeat, House, Perreo and a SHIT TON OF LATIN BASS!!! Ready to set things on fire, as well as, trying to highlight the newer sounds coming from the Latino Underground movement.
Caballo teams with one of the tropical bass OGs, Chuck Upbeat to drop the single and EP’s title track HIGHER
Blending Afrobeat with Latin flavor and mesmerizing bass drops, Higher sets the starting point for the new chapter in Latino Resiste second decade.
FRAME & KILL is a House with Latin flavor and killing bass drops
Dropping perreo’s Latin flavor and getting the Moombah treatment, DIME LA VERDAD goes hard for those who have a crush and are still somewhere in the friendzone and the benefit zone
Last Track is Farewell.
Somewhere between afrobeat, house, bass and urban latin.
Latino Resiste‘s MAL DICEN has returned with our first full studio album since the pandemic. But we are updating the label not fully finely-tuned, radio-friendly ‘bidda bang’ nor completely underground only few people can recognize. Naturally, it’s both – with the focus being on ‘flavor and roots’ . And we’ve got this Argentinian producer DOXZON releasing WACHIN THON which naturally, it’s superb.
WACHIN THON, sees DoxZon recreating with a swathe of both genres and artists across 10 tracks. Some songs are originals; some have already been released and others are remixes. There’s something in the album that really stands out, DoxZon is making FUTURE MALAMBO, which is a barely known genre outside Argentina, and Gustavo Cerati’s rapto gets this FUTURISTIC MALAMBO that leaves it still as compelling, creative and powerful as ever.
The best thing about WACHIN THON it’s the breadth of styles and genres that DOXZON has dived into which is most impressive. It’s clear that he has intentionally trodden a tightrope between bringing a commonly known sound bang into 2022 but also keeping a signature style alive.
AfroDancehall features heavily. As well as Moombahton, Baile funk, and Reggae, but it is the Future Malambo tracks that make this Wachin Thon stand out from everything else you hear on regular basis.
DOWNLOAD IT FOR ZERO PESOS (or pay what you can option)
For many years French producer Hugo Douster has been a key figure in the European Tropical scene under his DOUSTER moniker; however once he switched to darker beats with a huge African/Caribbean vibe on his KING DOUDOU project he really took it to the next level to the point of being one of the guys behind the music on J BALVIN’s megahit NEGRO.
He dropped this amazing Perreo Android Riddim back in the days, which triggered the inner beast on Canadian producer Caballo to take it to the Criminal level, which is exactly a combination of both.
PERREO CRIMINAL is available for ZERO PESOS at bandcamp or SC
Costa Rica hasn’t always been on the tip of one’s tongue when talking about great bass/reggaeton scenes.
However, if you are always keeping an eye on the usual moombahton/dembow/reggaeton oriented soundcloud labels, you will find our Tico homeboy JavierJoeK making strong statements about Costa Rica’s own take on the genre.
Costa Rica’s own take on the genre. We are very please to unveil his most recent EP named Salvaje which is nothing else but a truly great effort to focus Javier’s energy toward original tracks rather than doing what he does best, which is amazing remixes.
On Salvaje we find a more creative Javier, willing to play with basslines and having straight up fun to set any dancefloor on fire regardless the genre you are playing. These 3 songs can fit ANY set.. dembow, reggaeton, moombahton, dancehall, bass, you name it, this is a savage release for #zeropesos
Many hype youtube channels and soundcloud people are getting massive views thanks to amazing remixes of the latest latin hits.. Prodigy producer KHAER has been ghost producing insanely, and also on his soundcloud there has been lots of great remixes that are been liked, and getting massive support. However, Latino Resiste asked the Venezuelan hit-maker for an original track and the result is BOOTY OUT. Mo’Fyah pon dem gyal booty!!! This track lights up the dancefloor. free download
After Taki Taki, Dj Snake brought another banger called Fuego with Brazilian mega star Anitta and Jamaica’s own Sean Paul, which of course has been killing it ever since.
Our brother Ibrahim Cuevas sent us this sick remix which has all the power from the original with a quite clever still bangeristic twist that will get you maximum party vibes
To celebrate a decade in front of Latino Resiste, Caballo releases a new album exploring the current Urban Latino fronts, whether it is new approach like the opening track Souvenir, or exploring lesser known genres like Mode up (From San Andres Island) on the second track (Te quiero Para Mi) or even adding a bit of ska to the Urban Latino track (SANSON) Caballo wants this album to be a testimony of what the label and his own trip ahead of it has accomplished on these first 10 years.
As usual on any Caballo album, heavy collaborations conjoint lesser known names with equally leveled creative skills. Mixing party intended lyrics as well as political and social tracks.
A massive addition is the Dancehall track IMMIGRATION LAW with legendary Buju Banton, highlighting eternal struggle of immigrants trying to follow the nomadic path of reaching a better life in a new place faces global and social pressures by not only the actual travel’s dangers but also facing the systematic discrimination imposed by those who are afraid of interact with the newcomers.
Another great collaboration is done with Canadian Rap legend RELIC on Nothing to Spare (and later on another track SOCIALITE)
Global Bass pioneer Feral, and Russian basshead Chuck Upbeat are also present on a newer take on Tweet retweet, while Venezuelan bangeristas MEDINA and ALPIRE are present in the album as well, one by producing PUM PUM and the former co-producing Old-school Moombahton Mueve la Patica.
Dave Nada Hermanito’s own RANDIZZLE features Caballo on DURO HP.. a heavy dembow track that becomes a simply a laser bass slayer.
Caballo focuses on bass with the collab with Mr Shammi, and later decides to explore dubstep’s own RIDDIM on Sangre Mestiza, making this the first RIDDIM track exploring Latin-indigenous issues or Favela Bass on BAILE DO PAPAI
LATINO RESISTE 