XAVO- BABY HELAO

Since the label inception we have been keeping an eye on everything Tribal, we were very grateful to spot some of the most talented guys at the moment before they got famous such as Erick Rincon, Dj Tetris or Javier Estrada on our compilations AZTLAN & 3BALL (CLICK TO check them out)
In the same spirit, these genres keep evolving, and we’ve got the privilege to unveil for many this super talented producer.

Perreo Prehispanico? Why not… Guaracha 3Ball? for sure!!!


Xavo Castillo makes straight flames directly from Nuevo Leon (Mexico) and his stuff gets better by each second you listen to it.
DOWNLOAD IT FOR #zeropesos

DROM3- PERREKE

Chilean artist DROM3 has been killing it lately, and we are extremely honored to drop this EP in collaboration with our brothers at Triangulo LVS BERMVDAS who have some serious flames in Santiago de Chile’s underground bass scene.

Perreke is not just a Urban Latino Fire… It is the sound of “la calle”!!!
We dont drop perreo… we drop PERREKE!!!

GRAB IT FOR ZERO PESOS

Caballo- Higher

LATINO RESISTE’s NEXT CHAPTER IS HERE!!

We are ready to unveil Mal Dicen’s newest EP called HIGHER

A bit of Afrobeat, House, Perreo and a SHIT TON OF LATIN BASS!!! Ready to set things on fire, as well as, trying to highlight the newer sounds coming from the Latino Underground movement.

Caballo teams with one of the tropical bass OGs, Chuck Upbeat to drop the single and EP’s title track HIGHER

Blending Afrobeat with Latin flavor and mesmerizing bass drops, Higher sets the starting point for the new chapter in Latino Resiste second decade.

FRAME & KILL is a House with Latin flavor and killing bass drops

Dropping perreo’s Latin flavor and getting the Moombah treatment, DIME LA VERDAD goes hard for those who have a crush and are still somewhere in the friendzone and the benefit zone

Last Track is Farewell.

Somewhere between afrobeat, house, bass and urban latin.

Konshens- She’s got it (CARNNIBAL RMX)

Our dancehall- everything afrocaribbean front has been fortified by this epic take on the EDM anthem She’s got it from Konshens.

This is the first single from CARNNIBAL’s upcoming album which we can’t wait to unveil.

Without further ado, enjoy this fusion of Afro-Trap and Reggaeton.

BANGER!!!! FREE bomb!!

DoxZon- WACHIN THON

Latino Resiste‘s MAL DICEN has returned with our first full studio album since the pandemic. But we are updating the label not fully finely-tuned, radio-friendly ‘bidda bang’ nor completely underground only few people can recognize. Naturally, it’s both – with the focus being on ‘flavor and roots’ . And we’ve got this Argentinian producer DOXZON releasing WACHIN THON which naturally, it’s superb.

WACHIN THON, sees DoxZon recreating with a swathe of both genres and artists across 10 tracks. Some songs are originals; some have already been released and others are remixes. There’s something in the album that really stands out, DoxZon is making FUTURE MALAMBO, which is a barely known genre outside Argentina, and Gustavo Cerati’s rapto gets this FUTURISTIC MALAMBO that leaves it still as compelling, creative and powerful as ever.

The best thing about WACHIN THON it’s the breadth of styles and genres that DOXZON has dived into which is most impressive. It’s clear that he has intentionally trodden a tightrope between bringing a commonly known sound bang into 2022 but also keeping a signature style alive.

AfroDancehall features heavily. As well as Moombahton, Baile funk, and Reggae, but it is the Future Malambo tracks that make this Wachin Thon stand out from everything else you hear on regular basis.

DOWNLOAD IT FOR ZERO PESOS (or pay what you can option)

Leopold Nunan- “Ballin’ in Beverly Hills”

Singer Leopold Nunan and drag queen Pietra Parker take over Beverly Hills with a new beat and a music video about ostentation and empowerment.

Grab it on our BANDCAMP

But PLEASE make sure to check the amazing video where Brazilian Queer artists live out the fantasy of the American dream in new music video  shot on no other place but Rodeo Drive.

Born in Rio de Janeiro, Brazil and based in the USA, recording artist Leopold Nunan who had released a track with us alongside our good friends WILE OUT, teams up with supertalented drag queen Pietra Parker dropping flames on “Ballin’ in Beverly Hills“.

This babe is mix of hip-hop, afrobeat, trap and favela bass.

A bombastic track for the dance music lovers, says Leo. The BEST PART!!!!

track was produced by 16-year old phenomenon, heavy hitter from Mato Grosso, Brazil, Karan! THIS DUDE IS THE MF FUTURE!!!!

This will be Leopold’s 6th single release and Pietra’s music debut. The music video is a marathon of absurd looks directed by fashion photographer Will Cook. The video was all shot in Beverly Hills, on Rodeo Drive and at a private party at a friend’s mansion.

The lyrics were written by Leopold and Pietra in partnership with Z33R0, an East LA Latino composer, queer performer and activist.

We gathered all our friends to help shoot the music video, so we could realize this dream together. “Ballin” production was done 100% independently. There will be also

3 other versions, a techno version by Golden Kong, a riddim’ take by Klean and a arabian trap signed by Klap – curiously all Brazilian producers.  

DJ CHERNOBYL- Quebra Tudo

Following the current state of affairs in Colombia and Brazil, iconic Baile-funk originator, DJ CHERNOBYL and LATINO RESISTE team up to unveil a feral expansion in the baile funk universe.

We believed for the past year that being in a pandemic was not a good time to drop music that intends to please mostly party/festive/dj fueled scenes. However, the current situation in Brazil and Colombia with a right-wing police state calls for LR to join the fight with the best tool we have..

CHANGING THE SYSTEM.

that’s why we unveil this new sound:

QUEBRA TUDO.


An explosive crude and revolutionary approach to how the favela meets club minded people in order to add this to any heavy bass underground party.

YOU CAN DOWNLOAD IT for FREE or PAY WHAT YOU CAN OPTION.

The first track is called HARI HARI, which is a straight up banger using Neo-Baile funk tactics with a fast paced 150 tempo that calls for heavy charging

Track number two HORNZAUM uses the very common favela bass HORNS with this epic riddim that builds up to an even better polyrhythm base that makes it impossible not to jump or headbang.

On third base, we go even darker, completely mental

AS MINA ASSIM.. imagine a pure BERLIN TECHNO inside a Rio de Janeiro favela warehouse.

Last but not least, DJ CHERNOBYL, add his massive support to the resilience with COLOMBIA.

Bass techno blended with neo-favela

The Selvaticos- Futile Future

In 2013, a collaboration between their love for old school jungle music and Drum & Bass got together producers Chong X and Caballo to release JAH JAH RULES .

Then Caballo moved forward with the project alone to drop a second installment called Mayo’ Naizer in 2016 which went more Jungle-Bass, Reggaeton-Jungle and Grime.

Now in 2020 a 3rd chapter called FUTILE FUTURE and it gets to finally see the basslight after a long process of finding right balance, fans of old school jungle as well as those who like Futuristic Drum & Bass can be either pining for songs with typical Shy Fx flavour or for a whole new Ill gates type of sound.

In an attempt to appease both crowds, Futile Future lands somewhere in the between with safe, familiar sounds but also keeps a loose wire in terms of exploration. In fact, the quality of the collaborations/sample/edits makes the vocal talent able to lit the album and keep the old-school vibe even though some of the tracks, like Solid Defense, are a completely futuristic dub & bass . Futile Future is simply put one of the most concrete Jungle albums made by a adopted Latins, especially considering the reputation that these genre have gone through in the past few years in the EDM community.

Download it for Zero Pesos (or pay what you can option)

Also here it is a YT mixtape for the release

The Hidden Raves of Champetesburg

For decades confined to Colombia’s poor coastal regions and condemned by conservative politicians as violent and corrupting, the African-Latin fusion sound of champeta is finally cracking into the mainstream.

Obviously the fact half of the planet saw it at the Superbowl when Shakira danced to it and made a whole challenge that gave a completely new audience that otherwise would have never knew about this hidden genre in the Afro-Colombian community.

There are several theories about the origin of the word champeta, but it likely stems from the champeta knife used by workers in Cartagena’s Bazurto market. In the ‘70s, these workers would meet regularly to listen to African music on picós, but over the decades the word has been

deliberately sullied by conservatives seeking to attach connotations of violence to the music. This kind of prejudice against the country’s black population has stifled the genre’s growth over the years, with Colombian politicians even attempting to enforce a national ban on champeta, accusing the music of encouraging violence and teenage pregnancy.

In fact, our brother Lucas Silva, who did 2 compilations with us and owns perhaps the most significant Afro-Colombian label: PALENQUE RECORDS says about champeta’s significant raise to become Shakira’s superbowl halftime most talked dance: “It was a very tough fight. There is a lot of racism in this county and champeta was too new – people didn’t understand it, it was a shock, like with any revolution. I remember coming back to Bogota in the mid ‘90s and everybody hated champeta. They all said it was ‘stupid’ music and too sexual. But the lyrics were just covering normal things about life. Bogota was a very white city in the ‘90s – everyone was listening to rock music at the time. Rock music was for rich people and cumbia and champeta were for the poor people.”

Latino Resiste unveils THE HIDDEN RAVES OF CHAMPETESBURG which is a continuing part of the electro-champeta movement we began a decade ago, this time expanding Champeta’s DNA towards newer subgenres which could include Aleteo, House, bits of moombahton, and acoustic champeta..

Each track takes one of the elements most relevants of the genre. Whether the heavily Abelardo Carbono’s influenced guitars, or the Roland Dogs, or the percussive patter or simply its lyrical content, champeta is always expanding, it can’t be contained or defined by just few parameters, and our responsibility in Latino Resiste is to expand our Latin Music diaspora.

Enjoy THE HIDDEN RAVES OF CHAMPETESBURG for #ZEROPESOS