Chilean artist DROM3 has been killing it lately, and we are extremely honored to drop this EP in collaboration with our brothers at Triangulo LVS BERMVDAS who have some serious flames in Santiago de Chile’s underground bass scene.
Perreke is not just a Urban Latino Fire… It is the sound of “la calle”!!!
We dont drop perreo… we drop PERREKE!!!
GRAB IT FOR ZERO PESOS
LATINO RESISTE’s NEXT CHAPTER IS HERE!!
We are ready to unveil Mal Dicen’s newest EP called HIGHER
A bit of Afrobeat, House, Perreo and a SHIT TON OF LATIN BASS!!! Ready to set things on fire, as well as, trying to highlight the newer sounds coming from the Latino Underground movement.
Caballo teams with one of the tropical bass OGs, Chuck Upbeat to drop the single and EP’s title track HIGHER
Blending Afrobeat with Latin flavor and mesmerizing bass drops, Higher sets the starting point for the new chapter in Latino Resiste second decade.
FRAME & KILL is a House with Latin flavor and killing bass drops
Dropping perreo’s Latin flavor and getting the Moombah treatment, DIME LA VERDAD goes hard for those who have a crush and are still somewhere in the friendzone and the benefit zone
Last Track is Farewell.
Somewhere between afrobeat, house, bass and urban latin.
Our dancehall- everything afrocaribbean front has been fortified by this epic take on the EDM anthem She’s got it from Konshens.
This is the first single from CARNNIBAL’s upcoming album which we can’t wait to unveil.
Without further ado, enjoy this fusion of Afro-Trap and Reggaeton.
BANGER!!!! FREE bomb!!
Mal Dicen bringing all the heat.
Grab this 4 track EP dropping some of the sickest dembow inspired Lazer flames.
Whether French Master Sauvage FM Too Original remix or Metallica’s own James Hetfield trying to fit into the Dembow vibe.. We’ve got you covered!!!
Grab the whole EP for ZERO PESOS
Latino Resiste‘s MAL DICEN has returned with our first full studio album since the pandemic. But we are updating the label not fully finely-tuned, radio-friendly ‘bidda bang’ nor completely underground only few people can recognize. Naturally, it’s both – with the focus being on ‘flavor and roots’ . And we’ve got this Argentinian producer DOXZON releasing WACHIN THON which naturally, it’s superb.
WACHIN THON, sees DoxZon recreating with a swathe of both genres and artists across 10 tracks. Some songs are originals; some have already been released and others are remixes. There’s something in the album that really stands out, DoxZon is making FUTURE MALAMBO, which is a barely known genre outside Argentina, and Gustavo Cerati’s rapto gets this FUTURISTIC MALAMBO that leaves it still as compelling, creative and powerful as ever.
The best thing about WACHIN THON it’s the breadth of styles and genres that DOXZON has dived into which is most impressive. It’s clear that he has intentionally trodden a tightrope between bringing a commonly known sound bang into 2022 but also keeping a signature style alive.
AfroDancehall features heavily. As well as Moombahton, Baile funk, and Reggae, but it is the Future Malambo tracks that make this Wachin Thon stand out from everything else you hear on regular basis.
DOWNLOAD IT FOR ZERO PESOS (or pay what you can option)
Following the current state of affairs in Colombia and Brazil, iconic Baile-funk originator, DJ CHERNOBYL and LATINO RESISTE team up to unveil a feral expansion in the baile funk universe.
We believed for the past year that being in a pandemic was not a good time to drop music that intends to please mostly party/festive/dj fueled scenes. However, the current situation in Brazil and Colombia with a right-wing police state calls for LR to join the fight with the best tool we have..
CHANGING THE SYSTEM.
that’s why we unveil this new sound:
QUEBRA TUDO.
An explosive crude and revolutionary approach to how the favela meets club minded people in order to add this to any heavy bass underground party.
YOU CAN DOWNLOAD IT for FREE or PAY WHAT YOU CAN OPTION.
The first track is called HARI HARI, which is a straight up banger using Neo-Baile funk tactics with a fast paced 150 tempo that calls for heavy charging
Track number two HORNZAUM uses the very common favela bass HORNS with this epic riddim that builds up to an even better polyrhythm base that makes it impossible not to jump or headbang.
On third base, we go even darker, completely mental
AS MINA ASSIM.. imagine a pure BERLIN TECHNO inside a Rio de Janeiro favela warehouse.
Last but not least, DJ CHERNOBYL, add his massive support to the resilience with COLOMBIA.
Bass techno blended with neo-favela
In 2013, a collaboration between their love for old school jungle music and Drum & Bass got together producers Chong X and Caballo to release JAH JAH RULES .
Then Caballo moved forward with the project alone to drop a second installment called Mayo’ Naizer in 2016 which went more Jungle-Bass, Reggaeton-Jungle and Grime.
Now in 2020 a 3rd chapter called FUTILE FUTURE and it gets to finally see the basslight after a long process of finding right balance, fans of old school jungle as well as those who like Futuristic Drum & Bass can be either pining for songs with typical Shy Fx flavour or for a whole new Ill gates type of sound.
In an attempt to appease both crowds, Futile Future lands somewhere in the between with safe, familiar sounds but also keeps a loose wire in terms of exploration. In fact, the quality of the collaborations/sample/edits makes the vocal talent able to lit the album and keep the old-school vibe even though some of the tracks, like Solid Defense, are a completely futuristic dub & bass . Futile Future is simply put one of the most concrete Jungle albums made by a adopted Latins, especially considering the reputation that these genre have gone through in the past few years in the EDM community.
Download it for Zero Pesos (or pay what you can option)
Also here it is a YT mixtape for the release
For decades confined to Colombia’s poor coastal regions and condemned by conservative politicians as violent and corrupting, the African-Latin fusion sound of champeta is finally cracking into the mainstream.
Obviously the fact half of the planet saw it at the Superbowl when Shakira danced to it and made a whole challenge that gave a completely new audience that otherwise would have never knew about this hidden genre in the Afro-Colombian community.
There are several theories about the origin of the word champeta, but it likely stems from the champeta knife used by workers in Cartagena’s Bazurto market. In the ‘70s, these workers would meet regularly to listen to African music on picós, but over the decades the word has been
deliberately sullied by conservatives seeking to attach connotations of violence to the music. This kind of prejudice against the country’s black population has stifled the genre’s growth over the years, with Colombian politicians even attempting to enforce a national ban on champeta, accusing the music of encouraging violence and teenage pregnancy.
In fact, our brother Lucas Silva, who did 2 compilations with us and owns perhaps the most significant Afro-Colombian label: PALENQUE RECORDS says about champeta’s significant raise to become Shakira’s superbowl halftime most talked dance: “It was a very tough fight. There is a lot of racism in this county and champeta was too new – people didn’t understand it, it was a shock, like with any revolution. I remember coming back to Bogota in the mid ‘90s and everybody hated champeta. They all said it was ‘stupid’ music and too sexual. But the lyrics were just covering normal things about life. Bogota was a very white city in the ‘90s – everyone was listening to rock music at the time. Rock music was for rich people and cumbia and champeta were for the poor people.”
Latino Resiste unveils THE HIDDEN RAVES OF CHAMPETESBURG which is a continuing part of the electro-champeta movement we began a decade ago, this time expanding Champeta’s DNA towards newer subgenres which could include Aleteo, House, bits of moombahton, and acoustic champeta..
Each track takes one of the elements most relevants of the genre. Whether the heavily Abelardo Carbono’s influenced guitars, or the Roland Dogs, or the percussive patter or simply its lyrical content, champeta is always expanding, it can’t be contained or defined by just few parameters, and our responsibility in Latino Resiste is to expand our Latin Music diaspora.
Enjoy THE HIDDEN RAVES OF CHAMPETESBURG for #ZEROPESOS
Montreal-based MIXWELL is an artist some of the people into the afro-bass music might be familiar, and for those who do not know him, we assure a 100% that we all can bond over.
He’s been awing us since we he released a magnificent album under our brothers from CASSETTE BLOG. We have yet to meet a song of his that doesn’t make us want to bust a move. Half Canadian and half Guatemalan, Mixwell is a musical anthropologist of sorts, frequently sonic traveling back through the afro music to find old artists and songs he then mixes with heavy, contagious beats.
Think of him as playing your grandma’s music, but at a volume and with a bass that would have your grandma yelling at you to turn that ruckus off.
We are super honored to present to you AFROPODER
a 3 piece EP with ALL THE AFROPOWER we can get… inclusing the amazing art done by AFROMESTIZA!!
Grab the whole EP for #zeropesos at Bandcamp
OR MIXWELL’s VERY OWN SC
For many years French producer Hugo Douster has been a key figure in the European Tropical scene under his DOUSTER moniker; however once he switched to darker beats with a huge African/Caribbean vibe on his KING DOUDOU project he really took it to the next level to the point of being one of the guys behind the music on J BALVIN’s megahit NEGRO.
He dropped this amazing Perreo Android Riddim back in the days, which triggered the inner beast on Canadian producer Caballo to take it to the Criminal level, which is exactly a combination of both.
PERREO CRIMINAL is available for ZERO PESOS at bandcamp or SC
LATINO RESISTE 