Latino Resiste is super proud to unveil the Debut Album directly from one of the most hyped new producers of Sao Paulo’s Bass and yes, one of the lead heads of the new Favela Bass sound.
If you have been following the new approach of Brazilian bass funk, you may have seen (obviously) Tropkillaz’s raise to the top, and if you actually hear what they play, there are some hidden names that they are so into supporting right now.
KLAP and SANVTTO are 2 of these name, and in fact, this is the debut EP from the former with an actual track with BOTH of them.
On Pega Ahi, Maxwell Santos aka SANVTTO releases some of his most well received EDITS and Remixes which gather tens of thousands of plays on SC, Spotify and the usual digital music things, and have been featured on many Diplo & Friends, BBC, Tropkillaz and many more sets.
Costa Rica hasn’t always been on the tip of one’s tongue when talking about great bass/reggaeton scenes.
However, if you are always keeping an eye on the usual moombahton/dembow/reggaeton oriented soundcloud labels, you will find our Tico homeboy JavierJoeK making strong statements about Costa Rica’s own take on the genre.
Costa Rica’s own take on the genre. We are very please to unveil his most recent EP named Salvaje which is nothing else but a truly great effort to focus Javier’s energy toward original tracks rather than doing what he does best, which is amazing remixes.
On Salvaje we find a more creative Javier, willing to play with basslines and having straight up fun to set any dancefloor on fire regardless the genre you are playing. These 3 songs can fit ANY set.. dembow, reggaeton, moombahton, dancehall, bass, you name it, this is a savage release for #zeropesos
Grime wasn’t exactly supposed to be the sort of genre that bred elder statesmen.
Bass music wasn’t either.
However, like many things coming from the underground scene; both ended up being major players in the mainstream arena.
It was a burst of thrilling anarchy, all these unruly teenagers fuming giddily over homemade PlayStation beats that sounded like malfunctioning spaceships. Grime artists didn’t play shows; they played raves. Young artists were old souls, and a guy like Dizzee Rascal was already radiating bitter paranoia at 16. Wiley, the man who probably deserves the lion’s share of the credit for inventing and developing the sound in the first place, spent his early years beefing with ex-proteges and loudly insisting on his own importance; he’s still doing both now.
It was the UK secret weapon on the streets. This seemed like one of those sudden bursts of collective inspiration that burns hot and fast and then disappears. For a while, that’s what happened, and old grime stars started making crossover dance-pop hits. Grime still exists, but on its pure form doesn’t bring the same sense of excitement that it had in 2003 or, for that matter, 2015. The fractious scene has spun off into a bunch of still-chaotic but smaller scenes, giving birth to UK drill and road rap.
That is why we are beyond excited to drop the first ever Latino Resiste full grime EP by our homeboy CHONG X .
Chong X come back EP is setting an amazing take for the genre, because it totally blends the bass spirit, while maintaining the grimey essence.
The album is set for FREE DOWNLOAD as part of our 10th year celebration.
Many hype youtube channels and soundcloud people are getting massive views thanks to amazing remixes of the latest latin hits.. Prodigy producer KHAER has been ghost producing insanely, and also on his soundcloud there has been lots of great remixes that are been liked, and getting massive support. However, Latino Resiste asked the Venezuelan hit-maker for an original track and the result is BOOTY OUT. Mo’Fyah pon dem gyal booty!!! This track lights up the dancefloor. free download
After Taki Taki, Dj Snake brought another banger called Fuego with Brazilian mega star Anitta and Jamaica’s own Sean Paul, which of course has been killing it ever since.
Our brother Ibrahim Cuevas sent us this sick remix which has all the power from the original with a quite clever still bangeristic twist that will get you maximum party vibes
To celebrate a decade in front of Latino Resiste, Caballo releases a new album exploring the current Urban Latino fronts, whether it is new approach like the opening track Souvenir, or exploring lesser known genres like Mode up (From San Andres Island) on the second track (Te quiero Para Mi) or even adding a bit of ska to the Urban Latino track (SANSON) Caballo wants this album to be a testimony of what the label and his own trip ahead of it has accomplished on these first 10 years.
As usual on any Caballo album, heavy collaborations conjoint lesser known names with equally leveled creative skills. Mixing party intended lyrics as well as political and social tracks.
A massive addition is the Dancehall track IMMIGRATION LAW with legendary Buju Banton, highlighting eternal struggle of immigrants trying to follow the nomadic path of reaching a better life in a new place faces global and social pressures by not only the actual travel’s dangers but also facing the systematic discrimination imposed by those who are afraid of interact with the newcomers.
Another great collaboration is done with Canadian Rap legend RELIC on Nothing to Spare (and later on another track SOCIALITE)
Global Bass pioneer Feral, and Russian basshead Chuck Upbeat are also present on a newer take on Tweet retweet, while Venezuelan bangeristas MEDINA and ALPIRE are present in the album as well, one by producing PUM PUM and the former co-producing Old-school Moombahton Mueve la Patica.
Dave Nada Hermanito’s own RANDIZZLE features Caballo on DURO HP.. a heavy dembow track that becomes a simply a laser bass slayer.
Caballo focuses on bass with the collab with Mr Shammi, and later decides to explore dubstep’s own RIDDIM on Sangre Mestiza, making this the first RIDDIM track exploring Latin-indigenous issues or Favela Bass on BAILE DO PAPAI
Call it an artistic recharge for his tongue-bending lyrics, which kick politically conscious messages tied to raw verses and sexual euphemisms. It’s exactly those elements that have allowed Calle 13’s RESIDENTE to transcend beyond the Latin hip-hop genre and make them a global phenomenon.
However most of the globe got to know Residente thru a massive collaboration with veteran artist VOLTIO.
They dropped Chulin Chulin back in 2005, and of course, having in mind the whole revolution led by Residente, Bad Bunny, Martin, and more PR artists, it was only fair to revisit his first global hit, with a 2020 update!
Our Costa Rica based producer JavierJoeK unveils this insane remix for FREE
In the celebration of our 10 years, we had to get one of our most beloved producers from the global bass scene, Loki da Trixta, who has a knack for assembling and remixing star-studded, surefire gems . Just check this NYC homeboy’s resume and you will find hit after hit after hit wheteher as a dj, producer or singing.
Once more, the good ole DJ delivers the goods with “HOW ABOUT DEMBOW,” which brings eclectic taste like Rihana, Childish Gambino, or Ghetto kids together on one solid 5 track EP. How about dembow has a darkish sound, perfectly suited for the reggaetón-tinged vibe. Naturally the production is utterly superb, with Loki’s choice of synths, drum programming, and an infectious groove making this a must grab whether for a party or personal abuse.
Even though it began like in 2012 jungle terror as a genre conceived by WiWek. It’s a genre we (Latinos) rarely release, but we must admit that back in time, it was a miracle, being such a particular and unusual kind of EDM.
In 2016 we released Money Drop from Junior Ponce aka PNCVZ, a super prolific Venezuelan producer who would make himself a name in the electro-house/jungle terror community later on.
Like many others he moved into newer territories, and now for our 10th year anniversary, PNCVZ has decided to go back to the jungle with this flames.
Coming to the instrumental, the opulent amount of offbeat and experimental groove enhances the rhythm without losing energy. Taking hints from the Dutch and Dark House music style, PNCVZ loves swirling elements which together form a dynamic backdrop. Furthermore, synths licks get added in the equation for even more catchiness, working along the other components harmoniously. The breakdown sweeps in with predator-like heaviness, which fits aptly with the groove.
Can’t skip the fact swanky male vocal joins the league, embedding liveliness to the pattern. Without further delay, the drop takes over with snazzy-ness.
Banzé is a Brazilian term which is used with protest, they say Banzé to cause a riot, to cause a scene, to be fierce, an uprising from what is going on right now in the country.
Leopold Nunan aka Leo From Rio is a creative artist who has devoted his life to his passion for the arts, and now is his time to shine. This summer Leopold will bring the dance to you with his debut official release ‘Banzé’ via Wile Out with support of subversive digilabel Latino Resiste
‘Banzé’ is a homage to Brazil and all it’s beauty and grandiosity, which will be officially premiered at the legendary ‘Long Beach Pride’ festival Saturday May the 18th, that Leopold will be headlining the Dance stage.
From Rio with love, Leopold Nunan brings us his debut single release which features Samba legend ‘Beto Brown’ called ‘Banzé’ off his soon to be releases EP via Global Club Music label ‘Wile Out’ on May the 18th.
The single is a global dance track which brings all the elements of Brazilian culture from all over the country, sampling a native Brazilian flute, favela funk Tamborzão, lots of Beat-box vocals, Miami Bass breakbeat and some Samba percussion to bring together a song of strength and unity for all to enjoy on the dance floor.
The whole version can be grabbed at WILE OUT’s soundcloud page
Banzé is a homage to the beauty and charm of the Brazilian people and its culture as well as the mesmerizing Copacabana beach. Leopold wants to unite us all and say that we are all in this together no matter what we say or do, this is our right to live the way we are, you cannot change who we are.
