Brazilian bass music pioneer Edu K strikes again!
This time alongside Caballo, the duo revisit Herbie Mann’s SUMMERTIME and give it a Punjabi twist with a lot, and we mean A LOT of 90’s hip hop vibe.
The result is FATAFAT thanks as well to the amazing vocals from Saad Shah.
Grab this bomb right here or at our bandcamp!
Guaracha, Aleteo, Zapateo or whatever you prefer to call it, keeps killing it in the under house scene in Latin America..
Contigo hasta el fin drops massive Guaracha accompanied by the mesmerizing voice of Rubi Diaz aka Ashesndreams.
Ashesndreams is a Mexican vocalist who has been getting massive love in the underground scene on soundcloud and YouTube with hundreds of people remixing her vocals.
This time Latino Resiste brings the heat with a 3 piece EP covering some of the hottest new styles, Guaracha, Medallothon which is this sort of romantic vibe on Reggaeton and Afrobeat
Latino Resiste is happy to drop straight flames with a bouncy collab between two of the OG’s in the global bass game, Chong X and Caballo.
Break Away flirts between Moombahton, Reggaeton, Dembow, Baltimore Bounce and Dancehall without being strictly any of them a hundred percent.
Any format you prefer is available on Bandcamp
320 available also in Souncloud
Perreo House is getting massive support in the underground, and it will be just a matter of time that we see a complete shift in the urban latino scene going full house related and 808 related perreo with all the intended sub-genres flirting with the infectious vibe.
We are very glad to bring back one of the most prominent Techno-Perreo producers in the Ecuadorian scene to the Latino Resiste fam.
Benaje, whose bass tracks we have been honored to have couple of times keeps killing it, and this time he joins Caballo to drop another vibe that is getting massive exploration in the afro-caribbean scenes, which is the Afro-Bass.
Volao is just perreo inducing. Get it for FREE
Cumbia never dies. It evolves.
After a huge wave of cumbia in the late 2000s the genre got steady and went back to their original roots in most of the countries that the genre is still alive.
Argentina, Colombia and Mexico kept evolving the genre without losing its cultural impact and it’s very much alive and well in the underground scene, although there is an obvious disconnect between the playlists on the digital streamers and what really people listen on parties, especially street based parties.
Latino Resiste’s Carnnibal who has dropped 3 dancehall albums with the label goes Mestizo with the head honcho Caballo to release BADMAN TALKIN’.
A truly mestizo sound that will remind you why Cumbia and Ragga Dancehall are cousins, and when they both are on the same page.. IT’S STRAIGHT FLAMES.
DOWNLOAD IT FOR ZERO PESOS (Or pay what you can option)
LATINO RESISTE’s NEXT CHAPTER IS HERE!!
We are ready to unveil Mal Dicen’s newest EP called HIGHER
A bit of Afrobeat, House, Perreo and a SHIT TON OF LATIN BASS!!! Ready to set things on fire, as well as, trying to highlight the newer sounds coming from the Latino Underground movement.
Caballo teams with one of the tropical bass OGs, Chuck Upbeat to drop the single and EP’s title track HIGHER
Blending Afrobeat with Latin flavor and mesmerizing bass drops, Higher sets the starting point for the new chapter in Latino Resiste second decade.
FRAME & KILL is a House with Latin flavor and killing bass drops
Dropping perreo’s Latin flavor and getting the Moombah treatment, DIME LA VERDAD goes hard for those who have a crush and are still somewhere in the friendzone and the benefit zone
Last Track is Farewell.
Somewhere between afrobeat, house, bass and urban latin.
In 2013, a collaboration between their love for old school jungle music and Drum & Bass got together producers Chong X and Caballo to release JAH JAH RULES .
Then Caballo moved forward with the project alone to drop a second installment called Mayo’ Naizer in 2016 which went more Jungle-Bass, Reggaeton-Jungle and Grime.
Now in 2020 a 3rd chapter called FUTILE FUTURE and it gets to finally see the basslight after a long process of finding right balance, fans of old school jungle as well as those who like Futuristic Drum & Bass can be either pining for songs with typical Shy Fx flavour or for a whole new Ill gates type of sound.
In an attempt to appease both crowds, Futile Future lands somewhere in the between with safe, familiar sounds but also keeps a loose wire in terms of exploration. In fact, the quality of the collaborations/sample/edits makes the vocal talent able to lit the album and keep the old-school vibe even though some of the tracks, like Solid Defense, are a completely futuristic dub & bass . Futile Future is simply put one of the most concrete Jungle albums made by a adopted Latins, especially considering the reputation that these genre have gone through in the past few years in the EDM community.
Download it for Zero Pesos (or pay what you can option)
Also here it is a YT mixtape for the release
For decades confined to Colombia’s poor coastal regions and condemned by conservative politicians as violent and corrupting, the African-Latin fusion sound of champeta is finally cracking into the mainstream.
Obviously the fact half of the planet saw it at the Superbowl when Shakira danced to it and made a whole challenge that gave a completely new audience that otherwise would have never knew about this hidden genre in the Afro-Colombian community.
There are several theories about the origin of the word champeta, but it likely stems from the champeta knife used by workers in Cartagena’s Bazurto market. In the ‘70s, these workers would meet regularly to listen to African music on picós, but over the decades the word has been
deliberately sullied by conservatives seeking to attach connotations of violence to the music. This kind of prejudice against the country’s black population has stifled the genre’s growth over the years, with Colombian politicians even attempting to enforce a national ban on champeta, accusing the music of encouraging violence and teenage pregnancy.
In fact, our brother Lucas Silva, who did 2 compilations with us and owns perhaps the most significant Afro-Colombian label: PALENQUE RECORDS says about champeta’s significant raise to become Shakira’s superbowl halftime most talked dance: “It was a very tough fight. There is a lot of racism in this county and champeta was too new – people didn’t understand it, it was a shock, like with any revolution. I remember coming back to Bogota in the mid ‘90s and everybody hated champeta. They all said it was ‘stupid’ music and too sexual. But the lyrics were just covering normal things about life. Bogota was a very white city in the ‘90s – everyone was listening to rock music at the time. Rock music was for rich people and cumbia and champeta were for the poor people.”
Latino Resiste unveils THE HIDDEN RAVES OF CHAMPETESBURG which is a continuing part of the electro-champeta movement we began a decade ago, this time expanding Champeta’s DNA towards newer subgenres which could include Aleteo, House, bits of moombahton, and acoustic champeta..
Each track takes one of the elements most relevants of the genre. Whether the heavily Abelardo Carbono’s influenced guitars, or the Roland Dogs, or the percussive patter or simply its lyrical content, champeta is always expanding, it can’t be contained or defined by just few parameters, and our responsibility in Latino Resiste is to expand our Latin Music diaspora.
Enjoy THE HIDDEN RAVES OF CHAMPETESBURG for #ZEROPESOS
For many years French producer Hugo Douster has been a key figure in the European Tropical scene under his DOUSTER moniker; however once he switched to darker beats with a huge African/Caribbean vibe on his KING DOUDOU project he really took it to the next level to the point of being one of the guys behind the music on J BALVIN’s megahit NEGRO.
He dropped this amazing Perreo Android Riddim back in the days, which triggered the inner beast on Canadian producer Caballo to take it to the Criminal level, which is exactly a combination of both.
PERREO CRIMINAL is available for ZERO PESOS at bandcamp or SC
To celebrate a decade in front of Latino Resiste, Caballo releases a new album exploring the current Urban Latino fronts, whether it is new approach like the opening track Souvenir, or exploring lesser known genres like Mode up (From San Andres Island) on the second track (Te quiero Para Mi) or even adding a bit of ska to the Urban Latino track (SANSON) Caballo wants this album to be a testimony of what the label and his own trip ahead of it has accomplished on these first 10 years.
As usual on any Caballo album, heavy collaborations conjoint lesser known names with equally leveled creative skills. Mixing party intended lyrics as well as political and social tracks.
A massive addition is the Dancehall track IMMIGRATION LAW with legendary Buju Banton, highlighting eternal struggle of immigrants trying to follow the nomadic path of reaching a better life in a new place faces global and social pressures by not only the actual travel’s dangers but also facing the systematic discrimination imposed by those who are afraid of interact with the newcomers.
Caballo X Buju Banton- Immigration law from caballo on Vimeo.
Another great collaboration is done with Canadian Rap legend RELIC on Nothing to Spare (and later on another track SOCIALITE)
Global Bass pioneer Feral, and Russian basshead Chuck Upbeat are also present on a newer take on Tweet retweet, while Venezuelan bangeristas MEDINA and ALPIRE are present in the album as well, one by producing PUM PUM and the former co-producing Old-school Moombahton Mueve la Patica.
Caballo- Pum Pum (Produced by MEDINA!) from caballo on Vimeo.
Dave Nada Hermanito’s own RANDIZZLE features Caballo on DURO HP.. a heavy dembow track that becomes a simply a laser bass slayer.
Caballo focuses on bass with the collab with Mr Shammi, and later decides to explore dubstep’s own RIDDIM on Sangre Mestiza, making this the first RIDDIM track exploring Latin-indigenous issues or Favela Bass on BAILE DO PAPAI
Caballo- Sangre Mestiza from caballo on Vimeo.
DOWNLOAD RECYCLED REVOLUTION for FREE or Pay what you can option
Also in Soundcloud
The amazing art was done by talented American Artist Hugh D’Andrade (WEBSITE) responsible for the art of the Anarchist Bookfair.
LATINO RESISTE 