LATINO RESISTE
Seattle’s own latino bangerista MAZOR joins Latino Resiste to unveil his catchy moombahton track DEMENTA.
It starts with a pretty standard dembow beat supporting Tego’s dreary drawl before turning into a slivered tropical riff that once the drop kicks in stands up with moombahton’s elite best whine exercises.
Enjoy it for #zeropesos
A joint effort from Venezuela and Mexico; Contacto is the latest addition to the MalDicen sound crossfading borders as Alpire and Killdp kill the dembow game with a grimy bass drop on a massive moombahton base which gets a super slowdown break that will cast a spell on any dancefloor.
Download it for #zeropesos or pay what you can option
Caballo is back with his 14th album called LOUD AF.
This time the Colombo-Canadian producer gets back to his bass signature sound, the album features a diversity of genres as well wicked collaborations.
DOWNLOAD THE ALBUM for FREE OR PAY WHAT YOU WANT
BUT.. let’s go to the highlights!! The album opens with Swedish bangeristas AS WE SPOKE on an impressive Dancehall-Bass track called UNU AKS WE
BASS sounds for your mind. Like track number 3: Bounce it Gyal
There are some collaborations that are a MUST GRAB, like the ones with legendary MC ZULU, UK’s grime underground king Hostile, Moscow’s badboy Chuck Upbeat, Miami’s prodigy producer Dav!dx, as well as a rendition to Celso Pina and Erick Jaimez on Cumbia Vengadora.
Caballo doesn’t forget his root as Digital Cumbia Pioneer.
LOUD AF is a multi-genre release, that tries to keep the political relevance for tumultuous times like this one, while creating a very original sound without trying to copy anyone else.
Caballo goes back to his mc duties on cumbia vengadora, and sol negro.
LOUD AF is available on every digital platform as well as the Latino Resiste bandcamp.
If you like these genres: World, world fusion, Ragga, latin breaks, bass, latin bass, urban, electronic.
Then LOUD AF is just for you.
Caballo is back to the global scene with a Ep called King Pobre which is also part of the upcoming album LOUD AF which goes for FREE the second semester of 2017.
On King Pobre, Caballo wants to extend his vision as editor for Mad Decent in where many of the submissions came with the hopes of being played by Major Lazer or Diplo.
The Struggle is real.
King Pobre features footage from Jillionaire’s CNB
About the music:
It comes with the Jack it Up version, which features the one and only RaggaTwins
as well as the Resurrection version which is an instrumental but also a melancholic version with no drop, but equally uplifting
All music by Caballo
Cover pic by 2perrasungavilan
Mercado Negro is the second #metaLatino project from Latino Resiste.
This time an ensemble with musicians from Argentina, Germany, Canada and Colombia get together to combine all the ferocity of the metalmedallo musical aesthetic with the aggression of Swedish death metal of the 90’s without losing the compass of originality in terms of Latin Metal of late 2010’s should sound like.
Heavily influenced by the sound of Puya’s Whisker Biscuit, Sepultura’s beneath the remains, or Reencarnacion’s 888metal as well as the likes of At the gates, Entombed, Unleashed or Asesino; Mercado Negro combines dirty guitars and unpolished hard/grindcore vocals with clean massive drums and bass to unveil a debut EP called PERPETUA PENITENCIA.
You can download it for #zeropesos (FREE!) in whichever format you want.
MP3 > Download Link (only 53MB!!!!!)
Or full WAV, Aiff, HDMP3 directly via Bandcamp as well as individual tracks should you prefer.
The main single is Move it,
Although this 6 track EP opens with Ebrio de Poder which brings Brazilian percussion meeting 90’s thrash with a bold statement for those who are in power, not only in the political field but also in corporation levels.
Perpetua Penitencia is the EP Title as well as the statement towards how society believes Money and “connections” are the goals the maintain oneself on top of the pyramid regardless of the personal or spiritual consequences.
Vibora Rastrera is a pure blast of hardcore with clean guitars breaks that criticize all the fake friends whose evil spirit only want to diminish ones achievements if these do not benefit them personally.
Piel de Oveja is a heavy reference to Puya’s Whisker Biscuit in terms of music, while lyrically is a call for action to unveil those wolves who camouflage under sheep’s clothes to disguise their real intentions which are the profit from our desires and dreams, whether we are pure resilient or heavily into consumerism, the wolves have a market that will fit any merchandise you need, a che-guevara pin, or a bob marley hat to a super exclusive 1 million dollar watch, it doesn’t matter which part of society you play, there is going to be a wolf ready to eat your money.
Last but never least a rendition to one of the most symbolic songs from the most well known Latin American metal band in history.
Some Quotes about the release:
” Mercado Negro thrashes like the bastard child of Sepultura and Brujeria. Perpetua Penitencia is the most fun and also the most genuinely vicious debut metal release I’ve heard in ages” B. Bryan (Noisey, MTV)
“Mercado Negro me transporta en el tiempo a mitad/finales de los noventa con una música con una base en ritmos con bastante groove y un feeling de despertar latino. Mientras que temas como Vibora Rastrera o Perpetua Penitencia se quedan un poquito cortos en producción y tienen mas un sonido de demo el tema Move It suena con una produccion mucha mas cuidada y con un desarrollo vocal bastante elaborado que me recuerda a lo mejor de Skindred. Suena increible ese tema!!!
En general muy bien y bastante nostálgico.” Kike Valderrama (Headcrusher, Sol de Sangre)
“Tiene el sello Latino Resiste… Eso es garantía de sabor latino. Es un extraño viaje al pasado con sonido moderno. Creería que tiene lo mejor del mundo del metal latino con retazos de metal europeo. A veces no se si bailar o cabecear” Viejo Jaymz (Creador 4eedc Fest, Metal Host, 4eedc mastermind)
Mercado Negro:
All Music and Lyrics: Caballo tracks 1,2,3,5
Leandro Achinelli (guitars on tracks 1,2,3,6)
Track 6 Roots Bloody Roots by Sepultura
Track 4 Move it. Music by Silb (Germany) featuring Foxn and Caballo
Vocal recording by Gux Swadharma in Ardila Studios (Bogota, Colombia)
Mix and Master by Caballo
Except track 6 by Gux Swadharma
Latino Resiste/Mal Dicen is super happy to introduce Di Gregorio
This wicked producer from Venezuela has been slowly but steady releasing awesome tunes, from Jungle Terror, Moombahton, Bass to Future Bass.
His new Jungle Freak is set for FREE DOWNLOAD in full WAV
Follow him
Soundcloud: @digregoriomusic
Facebook: www.facebook.com/digregoriomusic
Twitter: www.twitter.com/digregoriomusic
Instagram: www.instagram.com/digregoriomusic
Snapchat: digregoriomusic
Mal Dicen unleashes the Pulpo, a Latin Banger that defies all genres, whether dembow, moombahton, salsa or bass; Miami own’s Jared Cole x Ian Allen made sure each tentacle has its own killing style.
hearthis.at/BASSBALLPLAYAS
The pioneer of Champethon, THOMBS, is back with a whole new approach to urban latino.
Blending Baile funk with Moombahton, Champeta, Reggaeton, and Bass on a savage track called La Batidora featuring Kenny Rivas, Criss & Ronny
GET IT FOR FREE
FOLLOW & CONNECT
http://www.facebook.com/djthombs/
http://www.facebook.com/CrissyRonnyOficial/
http://www.facebook.com/Kemafiaundertaker
Think Aphex twin, Squarepusher meets Meshuggah!! This is a good description of The Algorithm’s music.
The guy behind this french awesome music is Remi Gallego and with only two brilliant albums, and one coming up in 2012
The Doppler Effect & CRITICAL.ERROR this guy has launched a whole genre!!
For the people who is into the aggressive tendencies, and also like dubstep and ambient electronica, this is the perfect FREE album for you.
The Algorithm’s Isometry
Now we are super happy of getting our hands in not just one but two free albums!!!
Courtesy of Latino Resiste’s artist sub label: THE REBEL RECORDS and The Algorithm
This is something you’ll find in the album:
Access Denied ( in case you arent into the aggressive tendencies; make sure you listen til 1:25 drop and then you won’t let it go til the end!!)
and also the 3 parts of Kernels ( this is part 2)
GET THE ALBUM HERE
and Follow TRR’s soundcloud, and get some more cool free stuff private n exclusive for followers!!!
right here
Latino Resiste Presents 3ball Prehispanico FREE DOWNLOAD
Alternative link
as well for FREE DOWNLOAD
Early this year TropicalBass, Mad Decent and Latino Resiste among many more websites released a Free compilation made by Mexican Underground leading blog Bootlegumachine n LR, called AZTLAN.
That release dropped some of the most innovative sounds from Mexico, including 2 songs from 3ball biggest names: Erick Rincon and Sheeqo Beat; who are part of 3ball MTY with their partner in crime DJ Otto.
Now, 3ball huarachero, has certainly broken the underground barrier, and slowly is getting attention from Mainstream Media in Mexico, and even though their music is highly appreciated, it is very polarized as it is still considered very ghetto.. Specially because the pointy boots (botas picudas).
A new generation of producers are following the path created by Dj Mouse, Ric Reyna, Alan Rosales, and later on Erick, Sheeqo and Otto aka 3BALL MTY.
This is an effort; trying to show and unveil some of these names for a “non-mexican underground” scene, some people who have been on the game since it started and for some reason are still “unknown”, even for Mexican public.
Dj Javier Estrada – Mitotiani Youaltika
or
Nuestra Raiz – Clap Pina Tribal Prehispanico
Latino Resiste, releases a FREE COMPILATION called 3BALL PREHISPANICO, in where you will find some of the whole variety of 3ball huarachero AND prehispanic.
Free Download
or alternative link as well
Now.. Like what happened with the earliest stage of reaggetton or Moombahton; Tribal used to have a very repetitive pattern, usually a 4/4 and beats btw 120 and 130 bpm..
Dj Mouse, Rosales, 3TS, Reyna are the pionners of that sound.
Until the new kings arrived….Erick, and Javier Estrada worked together in 2006, but then Sheeqo Beat came into the scene and started working with Erick on what we now know 3ball MTY.
Obviously having their own background and influences which altered and polarized the tribal scene, not only in MX but also it made it more accessible for global bass ears, although at the same time, it sent a HUGE portion of tribal even more underground.
This new Blood of the underground is here for FREE DOWNLOAD
If you want to know more about 3ball, and its social impact, you can watch this short documentary
and read this Interview I made to Erick Rincon and Sheeqo Beat
How did you guys started in tribal?
Erick Rincon: Before 3ball gurchero, Sheeqo Beat and I produced electro-house and latin-House.
Do you guys think you have a certain “style” different than the other 3ball Dj’s?
Erick: Well. I can not say we have a signature, as we all have very different styles, 3ball MTY is a crew, not just 3 dj’s, and Otto, Sheeqo, and Erick have different styles
Sheeqo loves Latin stuff, specially latin house.
Otto loves Dutch-house and Minimal house.
I am more of an Electro and cumbianchero (cumbia lover).
How did you started doing 3ball?
Erick: Sheeqo and I, were not doing so well with electro-house, besides it was impossible not to dig 3ball..every time we went to some friend’s party 3ball was there!!
So when we arrived home we came with tons of 3ball ideas, we did keep the synth and loops, just that we wanted to have a different base, more cumbiambera, heavier basslines, tropical congas, guarachas and shakers!!!
So 3ball obviously has a different perception from the public in Europe, North America and Mexico.
This song is included in AZTLAN
http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F6837755&Ghetto Funk Baby (Sheeqo Beat VS High Rankin Mix) – Rico Tubbs by Sheeqo Beat
and it has a Sheeqo Beat vibe on it..
So I asked Sergio (Sheeqo) his personal views about 3ball
What is the Mexican perception about tribal guarachero?
Sheeqo Beat: Tribal guarachero here in my town, is “suited” by certain people, it is for lower class people or kids, although most of the people still find it disgusting!
However, people are different everywhere,European Public is more open, but even now here in Mexico we have played in many places that never played huarachero and people who were there loved 3BALL ! and they were all adults!!
One of the things I like most is that we have always handled the 3ball for people who are underage, or very young, they are between 12 to 16 years old, but this genre is slowly getting more respected from older crowds and that’s what excites me!, I think gradually Guarachero and 3ball will be more enjoyable for people who think that it is a genre that should have never existed.
About the Music from this LR presents 3BALL PREHISPANICO compilation:
Dj Tamalero, Tetris, Alan Pina,Ezekiel, Lao, Dj Rooy, among others will show this new blood and second generation of 3ball who are following Rincon’s and MTYsteps.
Even Den5hion is doing a Dj Otto 3ball/dubstep approach!!
http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F14145970 Ritmo Alterado (den5hion edit) by den5hion
The Amazing breakthru Video from 3BALL MTY
