To celebrate a decade in front of Latino Resiste, Caballo releases a new album exploring the current Urban Latino fronts, whether it is new approach like the opening track Souvenir, or exploring lesser known genres like Mode up (From San Andres Island) on the second track (Te quiero Para Mi) or even adding a bit of ska to the Urban Latino track (SANSON) Caballo wants this album to be a testimony of what the label and his own trip ahead of it has accomplished on these first 10 years.
As usual on any Caballo album, heavy collaborations conjoint lesser known names with equally leveled creative skills. Mixing party intended lyrics as well as political and social tracks.
A massive addition is the Dancehall track IMMIGRATION LAW with legendary Buju Banton, highlighting eternal struggle of immigrants trying to follow the nomadic path of reaching a better life in a new place faces global and social pressures by not only the actual travel’s dangers but also facing the systematic discrimination imposed by those who are afraid of interact with the newcomers.
Another great collaboration is done with Canadian Rap legend RELIC on Nothing to Spare (and later on another track SOCIALITE)
Global Bass pioneer Feral, and Russian basshead Chuck Upbeat are also present on a newer take on Tweet retweet, while Venezuelan bangeristas MEDINA and ALPIRE are present in the album as well, one by producing PUM PUM and the former co-producing Old-school Moombahton Mueve la Patica.
Dave Nada Hermanito’s own RANDIZZLE features Caballo on DURO HP.. a heavy dembow track that becomes a simply a laser bass slayer.
Caballo focuses on bass with the collab with Mr Shammi, and later decides to explore dubstep’s own RIDDIM on Sangre Mestiza, making this the first RIDDIM track exploring Latin-indigenous issues or Favela Bass on BAILE DO PAPAI
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The amazing art was done by talented American Artist Hugh D’Andrade (WEBSITE) responsible for the art of the Anarchist Bookfair.