CABALLO presents STREET CUMBIA

Everybody who has followed Latino Resiste knows we have been at the forefront of the digital cumbia game since 2005.

So, it is no surprise we keep dropping newer ways to approach the genre, and since there is a vital new fron of cumbia-corridos coming from Mexico, we believe it becomes imperative to counter-balance it with less pop centered feelings.

Caballo presents STREET CUMBIA which is not just a remix album; it is about looking outward, expanding the pool of collaborators, and dropping rappers with different POVs to reimagine their addition to the ever-expanding cumbia diaspora. Whether it is ICE CUBE, Dr Dre, Snoop Dog, Tego Calderon, Drake or Bad Bunny, to more obscure rappers like Ragga Twins, or completely original tracks like People wanna look at me.

STREET CUMBIA trains that focus squarely on Latin America sounds, drawing artists from across the “so-called gangsta game”. The musicians featured here live on the cutting edge while flirting with the mainstream—with one notable exception of course, QUANTIC who is a king in the underground scene.

STREET CUMBIA tries to put some of the more exciting cumbia bass beats which keep working in the margins, but it doesn’t really work as a coherent album. With wildly different sounds, the sequence doesn’t need to follow a cohesive pattern. it’s as if one attempted to reassemble a puzzle in the same way, even after all the pieces changed shape. Since the only connective tissue outside of the original material is the amorphous “CUMBIA” category—a commerce-driven catch-all that places often disparate genres under the same umbrella—that inconsistency is somewhat inevitable.

CABALLO presents STREET CUMBIA is available on our BANDCAMP

Cumbia Bass Beats II: Raza Takeover

CBB

Finally Cumbia Bass Beats Numero Dos is here:

GRAB THEM HERE:
CUMBIA BASS BEATS II (part 1) and CBB: Raza Takeover (Part 2)

Do NOT skip Part II, because most of real/traditional cumbia loops are inside Raza Takeover.

All Cumbia Bass beats tracks have been carefully crafted and wherever possible, the samples have been tested in Ableton, Logic Pro, Acid Pro, FL studio and most of them were well mastered allowing us producers to maximize the sonic palette for cumbia.

Most of the loops are sample-accurate which allows total flexibility to mix & layer together any combination of sounds which helps facilitate endless sonic fusions.

In Fact the result is so awesome that we decided to do a showcase with just a very small portion of the samples and adding our own styles..

This particular showcase has only 8 sounds combined in different ways and speed to create any Style that can fit from Traditional, to Digital Cumbia, Moombahton or dubstep inspired cumbia or Tropical Bass or even 3Ball, Twerk or Zouk Bass with some Cumbia Flavor.

Raza Takeover has loops from Global bass heads such as Dengue-Dengue-Dengue, Caballo, Bleepolar, Dj Tamalero, Banginclude, Bubbleheads,as well as some great sound engineers/instructors like Mike Bruce, from the Beat Making Lab.

Cumbia Bass Beats II will be given for free and actually it has different dynamics to reflect today’s musical fast changing environment.

Because it is a FREE DOWNLOAD and it has over 350 MB

The whole compilation will be divided in Cumbia Bass Beats II and CBB Raza Take Over.

CUMBIA BASS BEATS II (part 1) and CBB: Raza Takeover (Part 2)

The first one will have cumbia loops that can fit into Moombahton, Dubstep, Twerk, Zouk Bass, 3Ball, Champeta or Plain Cumbia.

Raza Takeover will have more organic loops that can fit any style, but if you are a more skilled or like more traditional cumbia loops, then DO NOT SKIP vol 2.

If you do not have Cumbia Bass Beats 1.. grab it here
complete the collection HERE >

Even if you do not make cumbia and to show it in a real context, let`s have a look to another showcase of CUMBIA BASS BEATS vol 2: Raza Takeover.

This song has been created using the loops in the library plus a synth from Corrupted Data’s twerk it track. in order to show the sonic availability of the library plus any creative idea.

The song uses the chorus of the papaconyuca cumbia track from the #yoquieropapaconyuca movement