Black Metal Elitist Earworm- SKULLDRILL

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The heaviest electronic metal project from South America returns to Latino Resiste with SKULLDRILL, a 10 track album in where moombahton, ragga, grime, dubstep and house meet hardcore, djent, deathcore.

The albums starts with Bunda do Inferno. A Brazilian Bahia Bass inspired track that has obviously a big influence of grindcore guitars and then Moombahton.

There is even a short 1 minute video to see the madness of this track !

Black Metal Elitist Earworm- Bunda Do Inferno from caballo on Vimeo.

Then the album moves to Grime with some death metalish vibe on this track March to the Slaughter, which is a rendition of that epic underground grime death scene from UK’s one and only hostile

Hardcore guitars and house, in fact deep house, seem to be antithesis to each other, somehow BMEE pulls it off on Electronic Douche Horns. Maybe inspired on Paris hilton doing the horns, or Steve Aoki wearing a rancid t-shirt

Being the head of the label and no stranger to Death Metal, we see Caballo back again on the vocals helping the Black Metal Elitist Earworm to get deeper into the hell-ride and actually giving title to the track and album with SKULLDRILL.
Penetrating your brain with an absolute insane metal-bass track

Dancehall’s front on Latino resiste is usually taken care by CARNNIBAL, so when the BMEE had a dancehall-metal inspired track, the elusive producer got his hand on the main draft, and morphed into this bomb called Movie inna TV

Djent and EDM. Why not. Here’s an edit of Meshuggah’s Bleed.

Doom and Gothic Dancehall Meet trap VS Heavy guitars. But the real question here is
ARE YOU READY FOR THE RUFFNECK BASS?

Bacondo, yes, the Andean Bass one, those guys who have been killing mainstream radio with their Andean EDM secretly submitted stems, and the result is a Moombahton-Metal track

This is the calm before the storm

Closing the album, the most intense track of them all.
An edit of I am colossus that needs no introduction once you hear the first 20 seconds.

The amazing art was done by our creative department at CUANTIKA STUDIOS
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Bacondo Remixes

Bacondo Remixes EP artwork

Bacondo became the first Andean Bass project to officially reach mainstream radio, however their approach to the Andean music got the attention since the release of their debut album.

So, it was no surprise to see a lot of amazing producers re-thinking how the Underground Andean bass music should sound.

When we released the remix contest we got over 200 submissions, so it was a long but totally worth process.

The result is a majestic new EP with a whole remix album from Bacondo, all together in the same package.
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Few of the highlights:
Jungle Terror and Borneo Bass goddess Jet Airess

More Andean focused

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Bacondo- Bacondo

bacondo

Bacondo, is the most recent addition to Latino Resiste. This duo brings the best of two worlds: ANDEAN ETHNIC sounds and Urban Global Bass to form this impressive ANDEAN BASS.
In the ephonym-Debut EP, Bacondo give us a trip in the dancehall-moombahton and big room while also keeping a close connection to their Andean sounds.
These brothers (J-1 & Man-K) did not want to sample, and instead relied on playing the stuff by themselves, and also gather a great amount of heavy ammo to collab.
Including Chong X, Loki da Trixta, Fucha Kid, Clinton Sly and DJ JB to create a Dancehall-bass cohesive vibe as well as an Andean-latino experience.



Think Major Lazer meets Los Jaivas.

This EP has the early support of Munchi, and more wicked supporters.

DOWNLOAD THE WHOLE ALBUM FOR FREE

They also have this amazing cover from los Jaivas!!

Whole EP

Remember DOWNLOAD THE WHOLE ALBUM FOR FREE